
DC is interesting. We’re pretty much settled now, and enjoying domestic bliss. Here’s a picture of our first meal in our apartment here.

DC is interesting. We’re pretty much settled now, and enjoying domestic bliss. Here’s a picture of our first meal in our apartment here.
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I like these pictures because they show the direct connection between farmer and cantina.



—Christopher Gelber
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Above: Adam Spencer aka “Adam Spence,” one of the Clanton Cowboys Gang and one of the meanest sommeliers ’round these parts, faced off with the San Diego Kid (that’s me) in the outskirts of San Antonio yesterday at Saloon Pavil. He was ready for me but he didn’t count on the “seventh bullet” in my six-shooter wine bag.
Dusty and tired after a long day hawking wine in San Antonio, the San Diego Kid had a harrowing brush with death at Saloon Pavil where Adam “Spence” Spencer nearly sent him to his grave. Spence is one of the fastest hands around these parts and one of the best sommeliers the Kid’s ever met on the mean streets of Texas. His wine list is compact, studied, intelligent, original, and surprising. And his palate is as sharp as they come. The Kid’s French bottlings were no match for Spence but the Clanton Cowboy wasn’t counting on a 2001 Barbaresco Ovello that the Kid happened to have in his six-pack wine bag — the “seventh bullet.”

I cannot tell you how good that wine tasted — it had been open all day — with the tender pork loin and pork ribs at Cooper’s. The tannin, the fat of the meat, the gorgeous fruit, and the tanginess of the BBQ sauce made a long day of hawking wine all worth while.
Boy, was the San Diego Kid lucky to get out of San Anton’ alive! Delivered from danger once again by the skin of his teeth and the seat of his pants, he headed out to Cooper’s Old Time Bar-B-Que in New Braunfels where they allow outside wine “but no hard liquor.”

Above: Cooper’s in New Braunfels. Folks say that the Cooper’s in Llano, Texas is the best one but this one was purdy darn’ good.
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Every once in a while you come across one of those truly special bottles, like this 1989 classic Barbaresco by Produttori del Barbaresco,* at a price you can afford. I found it the other day in a wine shop in San Antonio (where I’ve been spending a lot of time these days) and although it gently pushed the envelope of my pricepoint ceiling (sorry for the mixed metaphors), I just couldn’t resist.
The 1989 harvest in Langa was one of the greatest in contemporary memory and I’ve had the great fortune to taste a lot of Nebbiolo from both 1989 (a classic, slow-ripening vintage) and 1990 (also a classic, but with slightly warmer temperatures). This gorgeous wine is still very young: the nobility of its tannin and earthy flavors were adorned by delicate notes of berry and red stone fruit, the way Laura’s noble, alpine beauty is dressed by her golden hair and her delicate veil as she sits by the stream in Petrarch’s songs.
Many would fetishize a wine like this but we always open them with food. After all, the people who made them intended them to be consumed with food.

At the urging of our friend Howard, Tracie B had Netflixed Alberto Lattuada’s 1962 social-commentary/thriller/comedy Mafioso, starring one of the all-time greatest Italian actors, Alberto Sordi.
Lattuada doesn’t make it as often into the syllabuses of Italian film studies in the U.S. as does, say, Pietro Germi (with 1960s classics like Sedotta e abbandonata), but he should. His Mafioso is 1960s social-commentary comedy at its best, at once poignant and hilarious, bridging the Messina Straits of the paradox of the country that never was — Italy. Alberto Sordi is a Sicilian who’s moved to the industrial north and has made a life for himself and his beautiful blond alpine wife. Lattuada’s camera follows him has he fulfills his peripeteia in a journey home to visit his family. The backdrop is the “economic miracle” of the 1960s in Italy, where the north flourished while the south continued to languish. I won’t spoil it for you but the final thriller scenes had us on the edge of our seats as we sipped the last drops of that gorgeous wine.
Here’s the great scene where Sordi’s character’s family welcomes him home with a classic Sicilian luncheon. Coppola ain’t got nothing on this baby!
* Many erroneously distinguish the “cru” or single-vineyard bottlings of Produttori del Barbaresco Barbaresco from the classic Barbaresco (made with fruit sourced from multiple vineyards) using the ignominious qualifier normale. Produttori del Barbaresco Barbaresco that has been made by blending wines sourced from different vineyards is classic Barbaresco or Barbaresco classico.
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Above: Call me crazy but I paired cherry stone clam pizza and Nebbiolo the other day at Nonna in Dallas. It was delicious. The fruit in the 2005 Produttori del Barbaresco is showing beautifully right now and shows no signs of wanting to close up.
The San Diego Kid (that’s me, your resident wine cowboy) found himself in Dallas the other day, dusty and tired after a day of showing wine, with a six-pack of wine still slung around his back, his trusty companion Dinamite (the Silver Hyundai) beaten but not broken, and a bottle half-full of 2005 Produttori del Barbaresco still to be drunk. So he moseyed on over to the nearest saloon and parked his chaparreras at the bar at Nonna, where owner Julian Barsotti insisted he have the white pizza with cherry stone clams.

Above: Rock star owner and chef Julian Barsotti of Nonna makes some of the best pizza in Texas. He spent a season in Naples where he studied at the Associazione Verace Pizza Napoletana.
Julian opens the cherry stone clams first, reserves the juices, and then slowly wilts Vidalia onions with their juice and some cream until the onions literally melt and the cream and clam juice reduce to a thick sauce which he seasons with a mix of finely chopped herbs. Before firing the pizza in a wood-fired oven, he dresses the pizza with the clams, sauce, and a sprinkle of Parmigiano Reggiano. I’m still a big fan of his Margherita but the white clam pizza was the best I’ve ever had this side of New Haven, Connecticut.
The pairing was as decadent as it was delicious. In Italy, I still pair my pizza with beer (as tradition dictates) but here in the Wild West, crazy things can happen.
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Originally posted at Mc Duff’s Food and Wine Trail.
One of the things I love the most about Produttori del Barbaresco is how its winemaking practices have remained virtually unchanged since it began making Barbaresco in 1958 (technically the winery was launched as a Cantina Sociale in 1894). Few Italian winemakers can rival this iconic label for the terroir- and vintage-driven characteristics of the wines.
And as much as I love its single-vineyard expressions of Nebbiolo, my favorite is always the blended classic Barbaresco: on my palate, these are the truest expressions of Barbaresco and its unique power and elegance because they represent an overarching manifestation of the entire appellation, made from grapes grown by multiple growers across the territory. Each year, the best grapes from the best growing sites go into this wine. How do you determine where the best rows are? Simple: just observe where the snow melts first, they will tell you. 1967 and 1982 are two memorable vintages of the classic Barbaresco that I have tasted over the last few years (and I’ve tasted the crus going back to the late 70s): the wines of today are very true to the winery’s beautiful, natural terroir-driven style.
The 2004 is surely to be one of the great vintages of this decade and the winery compares it to the “mythic 1990.” I’ve tasted it a number of times over the last year and it seems to be closing up right now and showing more tight than it was last summer. I believe it’s going through a tannic period of its development and as much of a joy as it is to drink it, I think it’s best to lay it down for a while. I want to revisit it again around Christmas and see where it’s at.
Although 2005 was a very good vintage and classic in its profile (part of a string a good vintages, 04, 05, and 06), unusually high temperatures in September made for a wine with fruit more forward than the 2004. Unfortunately, this more “American-friendly” vintage has driven up the price slightly. It showed wonderfully in the tasting the other day and while I don’t think it will age quite as long as the 2004, I think this is an excellent Barbaresco that we can enjoy sooner than later.
2006 was another classic vintage, although again warmer than the 2004. I was thrilled to taste the 2006 Langhe Nebbiolo (made from fruit not destined for the Barbaresco) and I think it’s an excellent value for the quality. I like to call it my “Saturday night wine” (the Barbaresco is a “special occasion” wine at my table).
I’ve translated the winery’s 2006 vintage notes below.
My advice: buy these wines, drink them, lay them down, live with them, pair them with food, save a glass of each and taste it the next day, open them on special occasions, revisit them, record your impressions, blog them… They never disappoint and their value simply cannot be beat.
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Earlier this year, Produttori del Barbaresco’s president and winemaker Aldo Vacca (left) took time out from his importer’s grand portfolio tasting to talk to me about recent vintages and the cooperative’s approach to winemaking.
Produttori del Barbaresco has always stood apart for its steadfast traditionalist approach to winemaking. Where do you see Produttori in relation to the current trend of modern-style Nebbiolo?
You have to understand that the winemaking tradition in Langhe comes from an entirely agricultural mentality, a “farmer” culture. Early on, we were insecure, if you will. We didn’t have enough faith in our land. This insecurity led a number of winemakers to adopt a modern approach. There are also a lot of new producers who have only recently begun making wine in Langhe. Many of them don’t have the respect for our tradition of winemaking. This trend has developed over the last 20 years and has had a big impact. But I also see that many producers are returning to a more traditional approach.
Produttori del Barbaresco has never changed its style. From the beginning, Produttori has always made wine using traditional methods [extended maceration, natural fermentation, and aging in traditional botti, large oak casks]. The winery’s style is very distinct but the wines are always respectful of the terroir.
How are as-of-yet unreleased vintages showing?
Both 2007 and 2006 were very good vintages in Langhe. 2006 saw a warmer summer and it will be a more “fleshy”* wine, with softer tannins, while 2007 is comparable to long-lived vintages like 1996 and 2001.
The harvest came early in 2007, but this was not because of a hot summer. It was due to the fact that the mild, dry winter caused the growing cycle to begin early. As a result, we harvested early. 2007 has intense tannins and high acidity [good signs for long-lived Nebbiolo].
* Aldo and I conversed in Italian and it’s interesting to note that he used the English “fleshy” to describe his impression of the wine.
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